Few things are more powerful than a room full of women who have something to say.

As part of our Remake Journey we traveled 2 hours outside of Phnom Penh along dirt roads to a small school in the middle of rice fields, one of the few safe places makers are able to unite to talk about their rights without the police breaking up the meeting.

This gathering was hosted by Solidarity Center, to help makers fight for their rights. We learned that when big factories agree to cheap prices and tight deadlines, they often can’t meet these demands. So they ship orders off to fly by night operations–dark, dingy subcontracted factories where the conditions are the worst.

The women we met had sneaked out labels from the brands they illegally sew for including Zara, H&M and Tommy Hilfiger. It was dangerous for them to sneak these photos and labels out but they did it anyway, in the hope that we and you as readers would help them, to ask these brands pressing questions about why they worked such long hours for so little.

I had the honor of sitting down with one such maker, Char Wong. This is her story:

“I grew up in a family of eight children raised by a single mother. I was a farmer before working in a subcontracted garment factory. I found work in a subcontracting factory to earn more money and provide a better life for my own family, but the pressure from the daily quotas is stressful and the money is not enough.”

“I support my 16-year-old son, 10-year-old daughter, my elderly mother, along with my husband who is a farmer. I struggle to feed everyone with the minimum wage and extra $2.50 a day that I earn. My mother has diabetes and her medicine costs $30 a month, over 20 percent of my monthly income. I also want to save money for my children’s education.”

“I wanted a better life for myself and my family which is why I took this work. But life has become harder. I get paid per 12 pieces, but if there’s even one single error in the batch, I don’t get paid at all.”

“A few years ago, the factory would receive an order for a new design every two or three months, but with the new fast fashion cycles, it now gets more and more new designs in a shorter amount of time. Learning complex designs is very difficult and we get no training. Sometimes it takes two or three hours just to learn and the factory supervisor scolds us for any mistakes. The more time it takes to learn a design, the less time I have to meet the quota and the less money I make. I typically make $5 a day, but with the more complex designs, I only make $2 a day.”

“Sometimes I cry because I fear I won’t meet the quota and get paid.”


“Like most parents from all corners of the world, I want a better future for my two children. I hope to pay for their college education so that they can work in Cambodia’s government. Government jobs pay well and do not require hard physical labor. I hope that my children can be government leaders and help improve the conditions and rights of future garment factory makers, just like myself.”

“I am grateful for organizations like the Solidarity Center, who teach us about our rights. I am learning to speak up more. I want my story and my colleagues’ stories to spread to people throughout the world.”

“You being here, listening, makes me hopeful.”


I definitely felt a lot of girl power throughout the day, both from our own all female crew and the makers we met.

These women are not playing victims, but fighting for their rights and educating themselves on their rights. Speaking with Char Wong, I realized that the hopes she has are fundamentally no different from mine–for a fulfilling life. I hope as a designer, I can be a part of the change and that this story moves you to buy better. Together we can #remakeourworld.

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